Controls
- Hi Boost/Cut
- pre-equalisation
- SensiTrig/Limit on input stage
- SensiTrig makes the triggering twice as sensitive for, e.g. clean string pad filtering).
Limit leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.- Input sensitivity
- (Overdrive amount from middle click)
- Frequency Modulation Depth2
- Controls how much the modulation source (internal or external) influences the cutoff frequency
- Attack Time ADSR1
Attack Time Envelope Follower- Controls the attack time of the ADSR envelope or the envelope follower
- Attack Time ADSR1
- Decay Time ADSR1
- Controls the decay time of the ADSR envelope
- Sustain Level ADSR
Envelope Follower Sensitivity- Controls the sustain level of the ADSR envelope
- Sustain Level ADSR
- Release Time ADSR1
Release Time Envelope Follower- Controls the release time of the ADSR envelope or the envelope follower
- Release Time ADSR1
- ADSR / Envelope Follower
- Switches between the ADSR generator and the envelope follower.
- LFO Frequency
- Controls the speed of the LFO.
- LFO mode (Restart/Sawtooth)
- Switchesbetween sawtooth wave shape and AR retrig: this forces an LFO restart from the AR trig with pumping grooves as unavoidable result.
- Phase/Antiphase LFO Depth
- Controls the depth and phase of the LFO.
- Transpose +Oct./+Quint
- +Oct: doubles freq of both filters
+Quint: +Oct, modulated by a monophonic divider, at high speed averageing +1 quint- Tracking Normal/Low/Off
- A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.
- Frequency Filter 12
- Controls the filter frequency for filter 1.
- Resonance Filter 12
- Controls the resonance of filter 1.
- ADSR Modulation Depth Filter 1
- Controls how much filter 1 is influenced by the ADSR.
- Output Mix Low/Band/High Pass Filter 1
- Controls the mix between the different filter types of filter 1.
- Special Anti-Mix Correction Filter 1
- Allows to mute, make notch filter and about every imaginable mix of bp/bp/lp
- Frequency Filter 22
- Controls the filter frequency for filter 2.
- Resonance Filter 22
- Controls the resonance of filter 2.
- ADSR Modulation Depth Filter 2
- Controls how much filter 2 is influenced by the ADSR.
- Output Mix Low/Band/High Pass Filter 2
- Controls the mix between the different filter types of filter 2.
- Special Anti-Mix Correction Filter 2
- Allows to mute, make notch filter and about every imaginable mix of bp/bp/lp
- 12 step harmonic scaling
- forces the 2 filters to track in fixed harmonic relation, with digital precision but analog power
- Amplitude Modulation Depth2
- Controls how much the modulation source (internal or external) influences the volume
- Attack Time AR1
- Amplitude/gate envelope generator attack time
- Release time AR1
- Amplitude/gate envelope generator release time
- Balance Parallel/Serial
- Controls how the signal is routed through the 2 filters
- Balance between bypass & effect
- Mixes the dry signal with the effected signal.
1 MIDI controller value is multiplied with knob position
2 MIDI controller value is added to knob position.
Information
The Sherman Filterbank 2 was released february 2001.
Video
(2008-02-07) Sherman Filterbank 2 w/ Elektron MachineDrum by Big City Music
sherman filter bank 2 sherman filterbank II sherman filter bank II
