Sherman Filterbank 2x2 Rack

Controls

  • Hi Boost/Cut
    pre-equalisation
  • SensiTrig/Limit on input stage
    SensiTrig makes the triggering twice as sensitive for, e.g. clean string pad filtering).
    Limit leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
  • Input sensitivity
    (Overdrive amount from middle click)
  • Frequency Modulation Depth2
    Controls how much the modulation source (internal or external) influences the cutoff frequency
  • Attack Time ADSR1
    Attack Time Envelope Follower
    Controls the attack time of the ADSR envelope or the envelope follower
  • Decay Time ADSR1
    Controls the decay time of the ADSR envelope
  • Sustain Level ADSR
    Envelope Follower Sensitivity
    Controls the sustain level of the ADSR envelope
  • Release Time ADSR1
    Release Time Envelope Follower
    Controls the release time of the ADSR envelope or the envelope follower
  • ADSR / Envelope Follower
    Switches between the ADSR generator and the envelope follower.
  • LFO Frequency
    Controls the speed of the LFO.
  • LFO mode (Restart/Sawtooth)
    Switchesbetween sawtooth wave shape and AR retrig: this forces an LFO restart from the AR trig with pumping grooves as unavoidable result.
  • Phase/Antiphase LFO Depth
    Controls the depth and phase of the LFO.
  • Transpose +Oct./+Quint
    +Oct: doubles freq of both filters
    +Quint: +Oct, modulated by a monophonic divider, at high speed averageing +1 quint
  • Tracking Normal/Low/Off
    A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.
  • Frequency Filter 12
    Controls the filter frequency for filter 1.
  • Resonance Filter 12
    Controls the resonance of filter 1.
  • ADSR Modulation Depth Filter 1
    Controls how much filter 1 is influenced by the ADSR.
  • Output Mix Low/Band/High Pass Filter 1
    Controls the mix between the different filter types of filter 1.
  • Special Anti-Mix Correction Filter 1
    Allows to mute, make notch filter and about every imaginable mix of bp/bp/lp
  • Frequency Filter 22
    Controls the filter frequency for filter 2.
  • Resonance Filter 22
    Controls the resonance of filter 2.
  • ADSR Modulation Depth Filter 2
    Controls how much filter 2 is influenced by the ADSR.
  • Output Mix Low/Band/High Pass Filter 2
    Controls the mix between the different filter types of filter 2.
  • Special Anti-Mix Correction Filter 2
    Allows to mute, make notch filter and about every imaginable mix of bp/bp/lp
  • 12 step harmonic scaling
    forces the 2 filters to track in fixed harmonic relation, with digital precision but analog power
  • Amplitude Modulation Depth2
    Controls how much the modulation source (internal or external) influences the volume
  • Attack Time AR1
    Amplitude/gate envelope generator attack time
  • Release time AR1
    Amplitude/gate envelope generator release time
  • Balance Parallel/Serial
    Controls how the signal is routed through the 2 filters
  • Balance between bypass & effect
    Mixes the dry signal with the effected signal.
    1 MIDI controller value is multiplied with knob position
    2 MIDI controller value is added to knob position.

Various

The Sherman Filterbank 2x2 Rack was released Januari 2006.

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envelope-controlled envelope follower amplitude controlled low frequency oscillator lfo-controlled midi-controlled midi controllable over midi by midi gate s-trigger trigger voltage-controlled rackmountable rackmount filter eq/excite/filter lowpass lopass lo-pass lp lpf low-pass filter hpf hipass hi-pass highpass hp high-pass filter bandpass bp bpf band-pass filter notch filter
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