DigiTech RP250 Modeling Guitar Processor



Play. Rock. Live.

Play. The RP250 guitar multi-effect processor gives you your favorite core tones as well as helps you invent new ones. Choose from over 89 stompboxes, amps, effects and cabinets all arranged in easy to dial up tone and effect libraries. The RP250 also features USB jack for both editing presets and streaming to your favorite recording DAW.

Rock. When on stage, the RP250 allows you to easily make sonic leaps from preset to preset consisting of brilliant, clear, cleans to your favorite driven stacks with just the touch of a footswitch. No need for multiple taps to turn effects on and off and change amp channels! Need a different amp for the bridge, create a new preset with the amp and tone you need to easily fill that sonic void. Express yourself without limitations.

Live. Whether you play, rock, jazz, blues or full blown metal, the RP250 has the tones for you. Music is the key to happiness, play to live, live to play. The RP250 is the tool to help you find your inner rock star.


  • AudioDNA2 DSP Chip
  • 30 Tone and 30 Effects Libraries
  • 120 presets (60 factory, 60 user)
  • 89 total stompboxes, amps, cabinets, and effects
  • 20 Amps / 14 Cabinets
  • 55 Effects - Up to 11 at a time
  • Acoustic guitar emulator
  • Lexicon Reverbs
  • Up to 5 seconds of delay time
  • 24-bit 44.1kHz sample rate
  • 60 High quality drum patterns
  • 2 x 2 USB audio streaming
  • USB editing via DigiTech X-Edit
  • ¼” Instrument input
  • Independent ¼" Left and Right Outputs
  • Amp / Mixer switch to optimize outputs for amp or mixer
  • Stereo 1/8" headphone output
  • Stereo 1/8” Aux Input
  • 6-Character LED display
  • Built-in chromatic tuner
  • Durable die-cast chassis
  • Built-in expression pedal
  • Power supply included


Tones, tones and more tones...

The future is full of music just waiting to be written and is full of tones to accent your compositions. The RP250 is the perfect tool to get top notch tones, quickly and easily. Due to the amount of effects and combinations, the RP250 is a virtually unlimited tonal resource. Choose from classic heads and blues combos to modern high-gain metal half stacks – all with mind-blowing stompbox and effect options. Virtually no limitations.

When using the RP250 to record to your MAC or PC via USB, you can layer many different tones quickly and easily. The key is to use different amps and tones to complement each other and bring out the best tone possible. For instance, why record just a single rhythm stack track? Make it thicker by recording 4 different mono tracks and then panning them to different spots to give you a wide, thick sound. Want to turn your guitar into a bass? Use the Whammy and set it at 2 octaves down. Adjust your amp and cabinet to taste and play. Need other ideas? Visit the huge DigiTech RP250 user’s forum, trade presets and learn more from other users from around the world.


  • Volume/Wah Models based on:
    • DigiTech Full Range
    • Dunlop Cry Baby Wah
    • Vox Clyde McCoy Wah
  • Compressor Models based on:
    • DigiTech Compressor
    • Boss CS-2
  • Pickup Simulators:
    • Single Coil > Humbucker
    • Humbucker > Single Coil
  • Acoustic Models based on:
    • Dreadnaught Acoustic
  • Chorus Models based on:
    • Boss CE-2 Chorus
    • DigiTech Dual Chorus
    • DigiTech Multi Chorus
  • Flanger Models based on:
    • DigiTech Flanger
    • MXR Flanger
  • Phaser Models based on:
    • DigiTech Phaser
  • Pitch Models based on:
    • DigiTech Whammy
    • DigiTech Pitch Shift
    • DigiTech Detune
    • DigiTech IPS
  • Vibrato/Rotary Models based on:
    • DigiTech Vibrato
    • DigiTech Rotary
    • DigiTech Vibro/Pan
  • Tremolo Models based on:
    • DigiTech Tremolo
    • DigiTech Panner
  • Envelope/Special Effects based on:
    • DigiTech Envelope Filter
    • DigiTech Auto Ya
    • DigiTech YaYa
    • DigiTech Step Filter
  • Equalization
    • 3 band EQ
  • Delay Models based on:
    • DigiTech Analog Delay
    • DigiTech Digital Delay
    • DigiTech Modulated Delay
    • DigiTech Pong Delay
    • DigiTech Tape Delay
  • Reverb Models based on
    • Fender Twin Reverb
    • Lexicon Ambience
    • Lexicon Studio
    • Lexicon Room
    • Lexicon Hall
    • EMT 240 Plate
  • Noise Gate/Auto Swell based on:
    • DigiTech Noise Gate
    • DigiTech Auto Swell
  • Distortions based on:
    • Ibanez TS-9 Tube Screamer
    • Ibanez TS-808 Tube Screamer
    • Guyatone Overdrive OD-2
    • DOD 250 Overdrive/Preamp
    • ProCo Rat
    • MXR Distortion +
    • Boss TDS-1 Distortion
    • DigiTech Grunge
    • Boss MT-2 Metal Zone
    • DigiTech Death Metal
    • DOD Gonkulator Ring Mod
    • Arbiter Fuzz Face
    • EH Big Muff p


  • '57 Fender Tweed Deluxe
  • '57 Fender Tweed Champ
  • '59 Fender Tweed Bassman
  • '65 Fender Blackface Twin Reverb
  • '65 Fender Blackface Deluxe Reverb
  • ‘68 Marshall 100 Watt Super Lead (plexi)
  • ‘77 Marshall Master Volume
  • ‘83 Marshall JCM800
  • ‘93 Marshall JCM900
  • ‘62 Vox AC15
  • ‘63 Vox AC30 Top Boost
  • ‘69 HiwattCustom 100 DR103
  • ‘81 Mesa/Boogie Mark II C
  • ‘01 Mesa/Boogie Dual Rectifier
  • ‘96 Matchless HC30
  • DigiTech Solo
  • DigiTech Metal
  • DigiTech Bright Clean
  • DigiTech Clean Tube
  • DigiTech High Gain


  • ‘57 Fender Tweed Champ 1x8”
  • ‘57 Fender Tweed Deluxe Reverb 1x12”
  • '65 Fender Blackface Twin Reverb 2x12
  • '63 Vox AC30 Top Boost w/Jensen Blue Backs 2x12
  • '59 Fender Tweed Bassman 4x10
  • Marshall 1969 Straight w/Celestion G12-T70 4x12
  • Marshall 1969 Slant w/Celestion 25W Greenbacks 4x12
  • Johnson Straight w/Celestion Vintage 30’
  • DigiTech Solo 4x12
  • DigiTech Bright 2x12
  • DigiTech Metal 4x12
  • DigiTech Rock 4x12
  • DigiTech Alt Rock 4x12
  • DigiTech Vintage 4x12


General Specifications

  • A/D Converter: 24-bit high performance audio
  • D/A Converter: 24-bit high performance audio
  • Sampling Frequency: 44.1kHz throughout
  • DSP Section: 1 Audio DNA2 DSP Processor
  • Simultaneous Effects: 11
  • Preset Memory: 60 User / 60 Factory Presets
  • Drum Machine: 60 High Quality Patterns

Analog Input Connections

  • Guitar Input:
    • Impedance: 500K Ohms
    • Maximum input signal: 8 dBu

Analog Output Connections

    Line Output:

    • Impedance: 500 Ohms unbalanced / 2K Ohms balanced
    • Maximum Output level: +10dBu
  • Headphone Output:
    • Impedance: 50 Ohms
    • Maximum Output level: 13.6 mW / channel

Power Requirements

  • USA/Canada: 120 VAC, 60 Hz Adapter: PS0913B-120
  • Japan: 100 VAC, 50/60 Hz Adapter: PS0913B-100
  • Europe: 230 VAC, 50 Hz Adapter: PS0913B-230
  • UK: 240 VAC, 50Hz Adapter: PS0913B-240

USB Specifications

  • USB: 2.0 compliant
  • Audio streaming: 2 channels to computer, 2 channels from computer
  • Sample rate: 44.1 kHZ


  • Unit Dimensions: 14" x 8.5" x 2.5" (W x H x D)
  • Shipping Dimensions: 15" x 8.5" x 2.75"
  • Shipping Weight: 4.75 lbs

Windows Software Requirements

  • Vista Home/Premium, XP Home/Professional (SP 2 installed, .NET Framework 2.0 installed)
  • 800 MHz processor speed (1.2 GHz recommended)
  • 512MB RAM (1GB recommended)

Mac Software Requirements

  • OS 10.4.x, 10.5
  • PowerPC or Intel G4, G5 processor 800 MHz (1.2 GHz recommended)
  • 512MB RAM (1GB recommended)

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